At the beginning of the game, the surface of the planet becomes uninhabitable after the massive terraformer on Mars which supplied it with its Earth-like air and weather has been destroyed, causing the atmosphere to turn to chaos with super-tornadoes and lightning storms engulfing the planet. The storyline occurs in the year 2170, almost a half a century after the events of Red Faction: Guerrilla. In my playthrough, I used cover only when my health was low and I needed to hide and recharge.Like the first and third games of the series, the game takes place on the planet of Mars. Since the aliens move so quickly, it doesn't really help much anyway. "Using cover" just means "walking behind cover and crouching," like it does in Call of Duty games. Even in Guerrilla, the snap-to cover system wasn't great, but here it's gone entirely. This would add an additional layer of strategy-if this game actually encouraged you to use cover in the first place. In addition, the Nano Forge can now repair objects, including cover. Almost everything you come across is destructible, just as it was in Guerrilla. While it's not as much fun to use on linear underground paths as it was in an above-ground open world, it's still a freaking sledgehammer. The sledgehammer makes a long-awaited return. There are only two small problems with the shooting action: the (rather forgiving) aim assist is practically mandatory, given how quickly the aliens bounce around, and the sound effects can be a little weak at times.Ī summer shooter always has to have a couple of gimmicks to set it off from the pack, and Armageddon delivers here as well.
The developers stole a concept from The Conduit as well: You come across lots of enemy spawners, and you have to make a decision between destroying the spawner right away and trying to thin out the crowd first to make it safer. As you progress, the enemies get bigger and harder to kill, and you encounter a few bosses.
The settings and monsters have a survival-horror element to them, but the basic gameplay is pure shoot-'em-up: you walk forward, trigger enemies, kill the enemies, flip a switch, and keep moving. The graphics in particular are fantastic, with detailed environments, creepy lighting, well-designed creatures, and perfectly natural facial animations. The ten-hour campaign is one of the most polished linear monster-shooting experiences I've ever seen, right up there with the biggest-selling franchises. Seen this way, Armageddon is a smashing success. But just for the sake of argument, let's relax our expectations for a minute and look at Red Faction: Armageddon for what it really is: a generic third-person shooter that apes the feel of a summer action blockbuster. This is a huge disappointment, and many fans will see this as a deal breaker. (Will they sarcastically refer to enemy soldiers as a "welcoming party"? Why, yes, they will.) I bet you've never played a game like that before. A bunch of aliens pour out, and you spend most of the rest of the game running down a linear path, shooting bugs as they pop out, and watching cutscenes with cheesy, clichéd action-movie dialogue. On one mission, he's sent to find a seal in the ground and open it. The entire human race escapes to an underground system of tunnels, and Darius becomes a miner and mercenary. Instead, in an early scene, the rebels destroy a Terraformer, a machine that makes Mars's atmosphere habitable for humans. The fact that a hero named Mason was a government soldier rather than an insurgent could have created a lot of tension.īut no. This should have made for a brilliant new open world game, with your character (Darius Mason, grandson of Guerrilla protagonist Alec Mason) working to beat back the terrorist threat and struggling with the way things have changed. The only real problem is that a rebel group called the Cultists is making trouble. Since the Red Faction's victory in Guerrilla, Mars has become a relatively peaceful and prosperous place. The new entry, Armageddon, starts out promisingly enough. But did they have to make a linear game where you shoot aliens?
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Guerrilla's sales were so-so-by the time I bothered to pick it up, publisher THQ was giving it away for free as a thank you for buying Darksiders-and this franchise has always evolved with each iteration (Guerrilla itself changed the perspective from first to third-person, for example).
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Still, it's not surprising that developer Volition Software wanted to change things up this time around. Namely, it told an amazing story about a group of rebels who picked away at a tyrannical government until it fell, and it provided a huge, open world in which you could roam about, knocking down buildings with a sledgehammer.
Despite a few flaws, 2009's Red Faction: Guerrilla did several things extremely well.